Mad Sweeney (
onlythebranch) wrote2017-08-05 10:36 pm
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Someone's been leaving him offerings.
At first he'd thought it to be the boy, Gabriel, the one he'd met during his first week and when he'd felt the call of it, when he'd walked the path that pulled him on and on, he'd been surprised to find the flat of an unfamiliar woman at the other end. But the bread had been for him sure enough and he'd taken it, turning it over in his hands with a bit of wonder before leaving once again, trying to work out who the woman is and why she's leaving him anything at all. It's been a great many years since anyone has left him an offering and though she's not asked for anything in particular, though he's without his own luck at the moment and thus can only give little bits here and there, he does what he can to return the offering back to her.
One evening at the market, several women ahead of her come up empty handed when looking for a few perfect apples, but she has no trouble at all finding what she wants in the bin. A few days later there's a bicycle and it's not nearly enough to have hurt her badly, but had she stepped out of the apartment building only a moment earlier, she'd have surely been hit. Though she's pretty enough and she's sure to have plenty of attention, there are a few more kind and genuine compliments from men and women alike that week.
It isn't much, it isn't like the turns of good luck he was able to give Essie, but if he can only get his coin back, he knows he'll be able to do more.
For now, he takes the offering with only a small amount of guilt and he mostly ignores the part of him asking why.
His luck, though, no matter what he manages to give to her, is utter shit. In any other situation, he'd be able to avoid her, to continue to just allow himself to take what she gives and to give something in return. He'd not be discovered, he'd never be seen, but he's heading in the direction of her flat one afternoon, smoking as he walks, and suddenly there she is, right in his path, walking a great, fluffy dog that looks as if it belongs in a sheep pen instead of on the end of a leash.
And the damn thing makes a beeline straight for him.
"Fuck," he breathes, taking another drag from his cigarette. Of course.
At first he'd thought it to be the boy, Gabriel, the one he'd met during his first week and when he'd felt the call of it, when he'd walked the path that pulled him on and on, he'd been surprised to find the flat of an unfamiliar woman at the other end. But the bread had been for him sure enough and he'd taken it, turning it over in his hands with a bit of wonder before leaving once again, trying to work out who the woman is and why she's leaving him anything at all. It's been a great many years since anyone has left him an offering and though she's not asked for anything in particular, though he's without his own luck at the moment and thus can only give little bits here and there, he does what he can to return the offering back to her.
One evening at the market, several women ahead of her come up empty handed when looking for a few perfect apples, but she has no trouble at all finding what she wants in the bin. A few days later there's a bicycle and it's not nearly enough to have hurt her badly, but had she stepped out of the apartment building only a moment earlier, she'd have surely been hit. Though she's pretty enough and she's sure to have plenty of attention, there are a few more kind and genuine compliments from men and women alike that week.
It isn't much, it isn't like the turns of good luck he was able to give Essie, but if he can only get his coin back, he knows he'll be able to do more.
For now, he takes the offering with only a small amount of guilt and he mostly ignores the part of him asking why.
His luck, though, no matter what he manages to give to her, is utter shit. In any other situation, he'd be able to avoid her, to continue to just allow himself to take what she gives and to give something in return. He'd not be discovered, he'd never be seen, but he's heading in the direction of her flat one afternoon, smoking as he walks, and suddenly there she is, right in his path, walking a great, fluffy dog that looks as if it belongs in a sheep pen instead of on the end of a leash.
And the damn thing makes a beeline straight for him.
"Fuck," he breathes, taking another drag from his cigarette. Of course.

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"There were flying monkeys at New Years," she continues. "And these awful little toys that came to life just this past spring." Now that both incidences are safely in the past, it's easy to talk of them with something almost like fondness, as if it was a spot of awful weather they'd all soldiered through. But she definitely wouldn't fancy a repeat performance. If his own luck really is in shambles, maybe she shouldn't suggest that he was lucky to have missed it all, even if it's true. He could have fared poorly. She supposes she might have had an easier time of things, but a bit of extra luck doesn't seem like a fair trade if he's having a miserable time. "I'm sure you'll see your own share of the madness if you're here more than a few months."
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It's dangerous. But then, just being around him right now is dangerous, too, and he's still standing here talking to her. If he was smart, he'd just walk the fuck away to keep her safe.
"And no one pops the fuck up and claims responsibility for any of it?" he asks. "No tricksters anywhere?" It seems a little ridiculous for Loki, but Mad Sweeney wouldn't really put it past the bastard, not if he got some real good belief out of it somehow.
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"Everyone speaks of it as if it's just the city," she says with a flap of her hand. "Though it does feel as if someone ought to be behind it. It's always sort of... pointed." Deliberate. Maybe it's just because Darrow's fits don't occur with as much frequency, but it's hard to believe that it's some natural, impersonal thing, like a change in the weather or a shift in the seasons. It's far easier to imagine someone watching the chaos and enjoying themselves immensely.
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And it does seem to him as if a city being responsible wouldn't be so pointed, like she's said. There has to be someone behind it, but the thing is, Sweeney doesn't really care enough to make the effort of finding out.
"Everyone talks like that because they-" He's cut off, though, by a car suddenly jumping the curb and Sweeney curses under his breath, knowing he doesn't have time to move, and the damn thing clips his hip first with the edge of the fender, then with the side mirror and he goes spinning away, coming down hard on his knees as the car goes on to slam into the side of a nearby building. It hurts, but all Sweeney can think is that he was right to keep his distance from Greta.
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Mad Sweeney is speaking of them as if they're unquestionably real, though, and she's about to ask if he actually knows any when a car seems to come out of nowhere. It leaps the curb, strikes him a glancing blow, and then crashes to a halt against a building. Greta nearly jumps out of her skin, and comes close to falling over from both the shock and from the sudden pull against her arm as Sadie attempts to flee.
She gets the dog under control, first, then hurries over to Mad Sweeney's side. "Are you all right?" she asks, laying a hand on his shoulder (which is still only a little lower than her own, despite him having his legs knocked out from under him). If her touch is cautious, it's more because she's worried about hurting him than because she's considering the relative wisdom of presuming to touch a leprechaun in the first place. She looks over at the crumpled vehicle, sees the driver dazedly pull themselves out, and then shifts her focus back to Mad Sweeney. "Can you stand?"
Does he need a hospital? She wouldn't have thought leprechauns could be injured, at least not in so straightforward and unmagical a manner. But he seems more like a man up close, his shoulder solid enough beneath her hand, and he looks pained. She shifts instinctively, ready to offer support if he needs it. "Here, let me help."
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"Ought to keep your distance, lass," he says in a rough voice, pushing himself to his feet. There's pain, but it'll fade, it always does. And in the meantime, he sure as fuck doesn't want to be responsible for something bad happening to her or her sweet mutt.
"This is that shit luck I mentioned," he continues, taking stock of everything as he stands. His knees hurt where they hit the ground and his hip is going to bruise, but everything else feels more or less as it usually does. A drink or two will numb the pain and he'll be able to fall asleep tonight and feel better in the morning, so long as no one gets it into their head that they ought to challenge to big guy in the bar, as often happens. "I'd hate for you to get caught up in the wake."
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"You call that bad luck?" she squawks in indignation. 'Bad luck' is getting caught in traffic or spilling something on yourself. Someone excessively stoic might use it to downplay a larger tragedy, but everyone else would know it was nonsense. There are things bad luck doesn't cover, and she'd say that getting hit by a car qualifies.
Beneath the indignation, though, she appreciates that he's trying to protect her. She's rolled her eyes through more misguided attempts before, but if this is what bad luck means to him, she can't blame him for wanting to spare others. "I don't suppose my good luck makes much of a wake for you to get caught in," she says, her tone gentler. If it were that simple, he could improve his own luck without her proximity, probably.
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Or it had, until he'd given away that fucking coin.
"This," he says, waving his hand toward the car. "Is bad fucking luck."
Maybe it won't make sense to someone who's never experienced good luck the way he has. People have always looked at Mad Sweeney and assumed him to be a man down on his luck, but he's happy enough, living like he does. Drinking and fighting and sleeping and fucking. That's the life he wants and his endless good luck has allowed him to have it.
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She considers taking a healthy step back, as well. That might be the wisest move. But she's still reeling a little from the accident, and indignant on his behalf. Nor has she ever been in the habit of abandoning people just because they're saddled with something unpleasant that might land on her by association (though she'll admit that car accidents are more horrifying than being barren).
"It's all a bit much," she says, frowning up at him. "What, is it making up for lost time?" Will it all even out, someday? That's what she would ask, if she couldn't already guess at the answer.
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Everything has a price, after all. Right now he's paying what he owes.
"If I knew how it worked, love, I'd tell you straight off," he says, wincing a little. "But alls I know is what I feel t'be true and this is my truth. My luck is shit and the chances of my dying before I get back that bloody coin are pretty high, I'd say."
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Which must sound foolish, and unhelpful, and she winces again and flaps her hands at the car. "At least not in such a... a straightforward, human sort of way." Maybe there were rituals involving full moons and iron or somesuch; she wouldn't know, but she might be willing to buy it. 'Leprechaun Dies After Falling Into Traffic' seems too absurd to be possible.
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Like this, though, he's vulnerable. No coin means the rules change and he's still working out how. With his fucking luck, he'll probably just end up drinking himself to death.
"It shouldn't happen this way," he says. "But who the fuck knows how things work now. Everything's fuckin' changed and maybe it's just this city. Maybe this place just kills magical things."
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But there is magic. She arrived in a magical Wood; the first person she met was a werewolf; her employers are both magicians. She's friends with a unicorn, a fact that still astonishes her (though the way Darrow's forced Amalthea into a human shape speaks more to Sweeney's conclusion than Greta wants to admit).
"You're hardly the only magical thing here," she points out, anyway. "There's an entire magical Wood out there, and it seems to be doing all right for itself." Not that she spends much time in Cabeswater these days, but she thinks she would have heard if anything bad had happened to it.
But whatever Cabeswater might do for Amalthea, she's not sure it can give Sweeney what he's missing. Greta sighs, wrapping her arms around herself. "Is there anything I can do to help?" she asks him.
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"And how many of 'em are at full power?" he asks, not knowing if she'll have an answer for that. It doesn't really matter if she does, because he can feel it. Things don't exist here in Darrow like they did wherever they've come from. He's proof enough of that.
At her question, he shakes his head, testing his hip again before he decides it's probably fine. Well enough, anyway, that he'll be able to get by and get himself drunk enough to forget the pain. "No, love, there's nothing," he says, then smiles faintly. "Unless you know of a place to find a lucky charm."