Mad Sweeney (
onlythebranch) wrote2019-01-25 11:54 am
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(no subject)
The past month has been really fucking weird.
There's a lot of shit that's gone on, shit that's changed and Sweeney isn't sure what the fuck he's supposed to do with it about half the time. The other half of the time, he's pushing down the fact that he's actually really goddamn happy, and just doing whatever the hell he wants to do. He'd meant it when he told Spike he's a shitty boyfriend, but at least there's a thing now, something that's happening, something they've acknowledged, even if they don't talk about it a whole hell of a lot.
So he's in a good fucking mood as he heads down the street, a cigarette smoldering between his lips. He takes in a drag, then lets smoke puff out the side of his mouth. Plenty of people here don't like when he smokes, but he sure as fuck isn't about to let that stop him. He's not giving it up, not after all this time.
Amalthea is hard to miss in Darrow, something about those big eyes and long hair, and when he catches sight of her, Sweeney moves in her direction. He doesn't have the same sort of abilities a lot of magical folk here seem to have, he can't fucking sense feelings or shit like that, and he thinks she kind of always looks a little bit sad. The eyes, probably. But he still feels like he ought to check.
"Alright there, lass?" he asks, still smoking, blowing it into the air and away from her.
There's a lot of shit that's gone on, shit that's changed and Sweeney isn't sure what the fuck he's supposed to do with it about half the time. The other half of the time, he's pushing down the fact that he's actually really goddamn happy, and just doing whatever the hell he wants to do. He'd meant it when he told Spike he's a shitty boyfriend, but at least there's a thing now, something that's happening, something they've acknowledged, even if they don't talk about it a whole hell of a lot.
So he's in a good fucking mood as he heads down the street, a cigarette smoldering between his lips. He takes in a drag, then lets smoke puff out the side of his mouth. Plenty of people here don't like when he smokes, but he sure as fuck isn't about to let that stop him. He's not giving it up, not after all this time.
Amalthea is hard to miss in Darrow, something about those big eyes and long hair, and when he catches sight of her, Sweeney moves in her direction. He doesn't have the same sort of abilities a lot of magical folk here seem to have, he can't fucking sense feelings or shit like that, and he thinks she kind of always looks a little bit sad. The eyes, probably. But he still feels like he ought to check.
"Alright there, lass?" he asks, still smoking, blowing it into the air and away from her.

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She was arranging flowers in buckets outside the flower shop, but her heart wasn't in it. She didn't know what to do with the strange, hollow feeling in her. She'd only felt an echo of it before, and now it felt like her entire person might cave in.
"Molly was here," she said quietly, as if that might mean anything to him. "And now she's gone."
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Except that argument doesn't work with Spike. Loss does, though. That argument still fucking works, even if he's not tried to make it. It's stupid and he knows it's stupid, but he still ignores it best he can until moments like this when he can't ignore it any longer.
"That's shit, darlin'," he answers. "I'm sorry."
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Cabeswater, for all its cooperation, could no more be hers than she could belong to it. She was too real, and if she stayed there, she knew her magic would eventually seep into the forest, which already had its own. And so she was here, trapped in more ways than one.
"I don't-- I don't like feeling so touched by everything. What is a mortal to me?"
But she missed Molly.
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"Everything," he answers a moment later, looking down at Amalthea again. "Aren't they everything? Isn't everything we do as immortals for the people like them?"
With just about anyone else, he would deny it. He'd claim he's never done a goddamn thing for mortals, but anyone who knows anything about leprechauns would know it's bullshit. Everything he does, everything he is, it's based on what he can give to them and what they give back to him.
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No mortal has ever left an offering to her, or if they did, it made no difference to her one way or the other. She does not need their prayers to survive, nor does she need their belief to exist. Even if they cannot see her - only a pretty white mare - it makes no difference to her beyond inconvenience.
And if she does something for mortals, it is from a fickle desire to be noticed and praised rather than any sort of need for survival. She is the only real part of this story, Schmendrick once said. Maybe this was what he meant.
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So they're not meaningless. At least, this one hadn't been. Sweeney isn't a god either, but he lets that slide by, because he supposes he's closer to god than whatever she is, at least in terms of the give and take they share with the people who worship and believe in them.
"And it ain't," he says. "Can see that plain as day in those big doe eyes of yours."
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"I feel it so close, like this," she murmurs, frowning as she makes herself sit down on the bench outside of the shop. She looks up at Sweeney. She isn't human; she isn't supposed to be human. She knows some things start that way - bits of folklore, spirits, gods. Maybe Sweeney started that way. He'd been a bird once, she remembered him saying that. He knew what it felt like to be trapped in a body not his own.
"Molly wasn't afraid to touch me," she recounts quietly. "She yelled at me, when we first met, and she cried. She said, how dare you come to me now, when I am this!"
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Like this, she says and Sweeney has to figure she means this body, this form, this whole fucking existence. It's not quite what he's felt, he's not sure he can ever explain what it's like, being part of something and separate from it all at the same time.
"So she came here, found someone she recognized, and was pissed about it?" he asks. He's not getting the whole story here, but that's what grief does to a person, makes the entire thing surrounding their grief a little bit confused.
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And Molly was not young, or innocent, or new when Amalthea met her.
"I think-- she was sad to see me here. Trapped like this. She was so angry with Schmendrick when he changed me into a girl. I think she was mad at Darrow for doing it, too."
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"C'mon," he says. "Are you workin' or can I buy you a drink?"
He'll be fucked if he knows if a unicorn can get drunk, but a thing like this tends to call for the burn of alcohol if nothing else. It won't fix a damn thing, but at least it's something.
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She's been distracted all day, and Elsa even offered to let her go home if she wanted to. Until now, she's had no better place to be. She hops up and disappears inside, just for a breath, before she reappears.
"I like elderflower liquor, and thinks like that," she advises, if that might help Sweeney choose the bar. "Have you found the hidden place yet?"
The bar that people without magic can't see at all.
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He hates that sort of shit. It reminds him of Wednesday and all his god bullshit, being separate and above and better. That's not to Sweeney's tastes, he's been around too long and has been too involved with people for him to think of magic as being that important.
But if that's what she wants, he'll go. Give it a chance. He'd once said every bar in a city deserves at least one chance.
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"She tries to know me," she says after a moment. "To sort out what I am. I don't think I like it."
The woman knows she must be magic, if she can get into the bar, but Amalthea remains a curiosity beyond that. She doesn't like being a curiosity.
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Sweeney's not always a great talker, but he's not the one in pain today. He doesn't have to say a damn word, he just has to be there and try not to be a complete asshole.
"Not sure I like the idea of it," he admits. "The fuck do magic folk need a special place to drink for? We're already different, we gotta deepen that divide further?"
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She could count on one hand the number of people that know what they're looking at when they see her. Most of them were fellow immortals or had experienced strange magic before. People that knew she was something extraordinary, even if they can't put a finger on what that might be.
She likes the pub they step into: it's quiet and dark and warm, and somehow that all feels like what she needs.
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"Find a booth," he tells her. "I'll get us somethin' to drink."
He remembers what she'd said about what she likes and he doubts they've got any of that shit here, but he'll try to find her something similar.
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She watches people from there, her strange eyes luminous. She worries, often, that she will forget herself in the droves of humanity here, but so far, with some help, she has managed to hold onto her otherness, and it makes itself known in the strange little things about her: her eyes and her stillness most of all.
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"You look like a big eyed statue," he says when he sits down again. He's not sure if he could be that still even if he tried. The years he spent as a soldier are so long in the past that he's not sure if he'd still be capable of recalling all those skills he'd been taught by his father and the other men around him.
"You tryin' to freak people out or is that just a fun bonus?" he asks with a grin, nudging her drink toward her.
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"Does it bother you?" she asked. "Even knowing what I am?"
Maybe it gave her away too much, or maybe that she was human-but-not was the troubling part. She didn't know.
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Anansi, for one, with all his eyes and the stories he insists on telling. Then there's the Jinn, who'd probably have a fucking field day to see Sweeney in Darrow, especially after that whole speech to Salim-not-Salim about getting his back door kicked in. Not like he's ever pretended he doesn't also like it, but he'd been a prick about it, too.
"Anyone ever tell you it bothers them?" he asks curiously.
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She considers a moment, then adds: "People find it strange that I eat flowers, too."
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It's different, he knows it is, but even still, he thinks he has a pretty good point. People jump on all kinds of bandwagons and they're just about as strange as someone eating the damn flowers.
"Nothin' wrong with bein' odd," he says. "It's what we are."
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"We have always been in the world," she says after a while, though whether she's talking about unicorns or mythical creatures in general is hard to say. "We fit more than anything else."
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But maybe it's that he's loved mortals before. Watched them die.
"You ever love anyone?" he asks. "Someone who wouldn't be around for as long as you?"
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"Lir," she answers. "I never felt that sort of thing before I was human. He was a prince and I fell in love with him. I begged to stay human because I knew I would not love him as a unicorn. Not the same way I could as a mortal girl."
She looks up at the leprechaun. "I told the magician that I wanted to grow old and die, too, if that was his fate. But Lir, being a hero, knew that was not how the story is supposed to end."
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Both of them, at least in his world, would have survived on Lucky Charms and little girls' backpacks, but it wouldn't have been the same.
"Most of the time, watchin' them, I'm sure it's the opposite," he says. "That we don't fit at all. This is their world now."